Tuesday, March 30, 2010
Final Parti/Poche Submission
Shows us the idea of combining public spaces with private spaces to form spaces that make the client feel as if it actually is a private space and to allow the client to investigate different paths he/she can take when trying to move through more architecture.
This was the level that I constructed for the model, In my opinion was the most useful in understand the division of spaces and forming a connection between spaces, this poche also captures a lighting scheme between spaces. The black walls represent construction of these spaces that essentially divide the villa into public and private spaces.
This section tries to capture the lighting scheme that allows the villa to light up in different ways. The light source are shown, through the windows. Howvever, intersecting walls can impede this light source and create some darker, more private spaces. By looking at the key playing walls we can see the division of light and how it passes throughout the walls. This poche also shows the connection between each floor and the architecture that the client may see along the way.
I chose this section because I think that it shows the most ideas behind the building and it encapsulates the light scheme developed with the construction of walls and floors.
This parti allows us to see what is the most basic underlying connection between two levels that enhances the experience of the client as he/she walks from one level to another. 'ramps engage client with architecture' starts to get a feeling of what is going on.
This parti presents us with the different paths we can take once we reach the first level. As we exit the ramp we become faced with a decision to take one of three paths which assists in the division of spaces. This circulation also helps us understand the connection between private and public spaces and how to get there.
The roof line doesn't fall into place like the rest of the villa, however it does play a role in keeping a connection between the villa itself and the surrounding environment. In this parti we can see that Corb has placed curved walls strategically to keep a connection between the villa and its environment.
Shows the divsion between public and private sections which is outlined by a grid geometry which helps form spaces or rooms within the villa. Squares are the most basic shape in the villa with the spaces being cut out of the square matrix to form more intricate spaces.
Displays the relation between the ground floor and the underlying grid structure. Specifically the ground floor not only plays an important entry role but also plays a role in supporting the structure above with poles. Again there is a sense of connecting private to public spaces y including exterior spaces that make you feel as if you where actually inside the villa.
In this parti, we can begin to see the distinct connection between private and public spaces with the inclusion of subspaces that divide the private space. Walls help in interfering with light, however the windows along the sides of the villa have no problem in transmitting a large quantity of light to even the deepest corner of the villa.
Monday, March 29, 2010
Le Corbusier quotes about the Villa Savoye
"A ramp provides gradual ascent from the pilotis, creating totally different sensations than those felt when climbing stairs. A staircase seperates one floor from another: a ramp links them together"
"Progress brings liberation. Reinforced concrete provides a revolution in the history of the window. Windows can run from one end of the facade to the other"
"Progress brings liberation. Reinforced concrete provides a revolution in the history of the window. Windows can run from one end of the facade to the other"
Something that Helped me understand the underlying idea of the Villa Savoye
http://www.youtube.com/watch?v=3ChtM71axgA
This video on youtube shows a 3D digital visualisation of the villa savoye, constructing it from its very roots to the highest point on the roof.
This helped me visualise different spaces that Corb created to suit the lifestyle of the client also shows the underlying circulation that is found throughout the villa.
This video on youtube shows a 3D digital visualisation of the villa savoye, constructing it from its very roots to the highest point on the roof.
This helped me visualise different spaces that Corb created to suit the lifestyle of the client also shows the underlying circulation that is found throughout the villa.
Series of Floor Plans
Le Corbusier's Villa Savoye (1929-31)
Introduction
The last in a series of white houses designed by architect Le Corbusier, Villa Savoye was built as a weekend house for the Savoye family. The site was a large field surrounded by mature trees. Because one of the primary design goals was to leave the site as untouched as possible, the house was sited on the middle of this field.
The automobile was a new thing at the time, and Le Corbusier put a lot of though into how the experience of arriving at the site by car would be integrated into the experience of the house. To understand this experience, imagine arriving at the site by car, passing through a thick stand of mature trees which then open up into the clearing, with the house in the middle. The driveway then leads under the house and around to the front door. In fact the radius of the curve of the ground floor leading to the entrance was determined by the turning radius of a car of the day. You would then get out of the car, protected under the house, and enter the front door.
The Savoyes lived in the house until 1940. During the second world war the house was occupied first by Gemans and then Allies, and seriously damaged. It came into possession of the town of Possy in 1958, which used it as a youth center and then considered demolishing it. However, after the protest of architects who felt it should be saved, and with support from Le Corbusier, the house was protected. In 1965 it became listed as a historic monument, and from 1985 through 1997 complete restoration work was perfomed. The restoration has included structural and surface repairs to the facades and terraces, rewiring, and installation of security cameras and lights. During this restoration, many of the original interior colors were restored. In situations where the original color could not be determined with enough certainty, the interior wall was painted white, the standard practice in restoring Le Corbusier buildings. Replicas of most original interior light fixtures were created. The long light fixture now in the living room, made of folded sheet metal, was a redesign.
Ref: http://architypes.net/place/villa-savoye
ARCH1201 - Architectural Design Studio 3
PROJECT 1 - ARTIFICE
TECHNICAL SKILL; ART; WORKMANSHIP; THE MAKING OF SOMETHING BY ART AND OR SKILL
MODE OR STYLE OF WORKMANSHIP
SKILL IN DESIGNING AND EMPLOYING EXPEDIENTS; ADDRESS, CUNNING, TRICKERY
AN INDIGENOUS EXPEDIENT; CUNNING TRICK; A DEVICE; A CONTRIVANCE
A WORK OF ART
HUMAN SKILL AS OPPOSED TO WHAT IS NATURAL
TECHNICAL SKILL; ART; WORKMANSHIP; THE MAKING OF SOMETHING BY ART AND OR SKILL
MODE OR STYLE OF WORKMANSHIP
SKILL IN DESIGNING AND EMPLOYING EXPEDIENTS; ADDRESS, CUNNING, TRICKERY
AN INDIGENOUS EXPEDIENT; CUNNING TRICK; A DEVICE; A CONTRIVANCE
A WORK OF ART
HUMAN SKILL AS OPPOSED TO WHAT IS NATURAL
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